Exorcism

Slow Chase

Exorcism marks a moment of rupture and reinvention for Slow Chase - a bigger, darker, more fully-formed version of the band first introduced on The Blind Spot EP. The two-piece had become a three-piece. The riffs were Read more

Exorcism marks a moment of rupture and reinvention for Slow Chase - a bigger, darker, more fully-formed version of the band first introduced on The Blind Spot EP. The two-piece had become a three-piece. The riffs were heavier. The tone was clearer: burn it down and start again.

Recorded at Mixmasters in Adelaide with American producer Jonathan Burnside (Nirvana, Faith No More, Grinspoon), and mixed under near-breaking-point conditions across time zones, Exorcism came out swinging - a snarling track built on smoky guitars, pounding rhythm, and a frontman digging through fear, religion, and depression in search of emotional congruency.

Rolling Stone Australia gave it 4 out of 5 stars, calling it “the new balls-out single from swaggering, full-throttle rockers Slow Chase.” It’s not a party song, but it hits like one. No redemption arc. Just the sound of a band blowing off the weight of the year that nearly broke them. A new master by John Davis - known for his work remastering the Led Zeppelin discography - was released in 2019, giving the track renewed clarity and impact.

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    Exorcism (Remastered) 2:58
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The Blind Spot EP

Slow Chase

Slow Chase’s debut EP The Blind Spot is a lean, bass-driven rock release built from sharp hooks, stripped-back arrangements, and a quiet refusal to posture. Across three tracks - from the swagger of Algernon to the cold Read more

Slow Chase’s debut EP The Blind Spot is a lean, bass-driven rock release built from sharp hooks, stripped-back arrangements, and a quiet refusal to posture. Across three tracks - from the swagger of Algernon to the cold vengeance of You’ll Never See Me and the slow-burn destruction of Sweet Fuse - the band explores the jagged overlap between abuse, anger, and survival.

Recorded at Mixmasters in Adelaide with American producer Jonathan Burnside (Faith No More, Grinspoon, The Melvins), the songs avoid the clichés and excesses of classic rock. Instead, The Blind Spot aims squarely for the dance floor - muscular and minimal, with just enough space for something darker to move in underneath.

There’s nothing nostalgic here, no pandering to the past. Just a laser-like focus on the songs themselves - big hooks, big riffs, and catchy melodies.

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    You'll Never See Me 3:27
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    Sweet Fuse 3:14
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    Algernon 3:43
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